With V2 it is much better, but you may need some more balancing and finetuning of the preset programming.
Finetuning the sound is much easier than reprogramming the complete sound engine by the programmers, so I have good hopes and it is in V2 already pretty fun playing on several presets.īest thing is - we have no two modeling engines to choose from - PT and Arturia - which is good for competitions and faster development - and two different approaches always yield a bit different sound character, which is also good.
If PT doesn't do the job for a certain piece or player, Arturia might in that case and vice versa. So I would say Gove it a try and don't be shy to ignore all the V2 presets that are misses and concentrate on the good ones and finetune them to your taste. I agree that there are some great presets in there including some of the experimental sounds. I like the tack piano even though some fight find it a bit tacky. Okay, I would use each of those and… now will probably attempt to build them in Max for Live.Many of the grand piano presets sound less synthy than Pianoteq with the caveat that they are a bit subdued.
(Compare that one time Roland did a 24-hour broadcast… not like that.)ĪirLab mobile IR controller, D-BEAM for a new generation… It’s a one-off, and I think they will just get through the announcements. Of course, you might also check out this humble corner of the Blogosphere / Web 1.5 or whatever this is around roughly the same time. “Rendez-vous’, a one-off livestream event showcasing a series of special announcements.”Ħpm (dix-huit heures, 12 noon NYC, 9 am LA, 10pm Almaty, midnight Manila…) What could they be doing? What could it b– okay, fine, I know so I can’t speculate convincingly here. Arturia is doing something we haven’t seen them try before – they promise a “series of special announcements” expected to be new products on Tuesday, October 11.
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